When I interviewed Eyvind Kang back in 2012, he spoke at length about the presence of duality in his music and how that served as a companion to similar reflections and doubles in the world at large: sound and its echo, people and their shadows, music and its reverberations... That theory was already explored on his previous LP with Jessika Kenney, Aestuarium, but resonates much more clearly throughout The Face of the Earth, from its title to the artwork via the cosmic sounds the duo creates across the two sides of vinyl. As such, an album that, on the surface, appears to be a collection of obscure songs sung in Persian and/or anchored in...
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