It opened with a similarly slick montage of images that accompanied the Danish series The Killing – a woman's dead body, the bloodied scene of the crime, incriminating handprints. There was also an oddly rousing anthemic theme tune reminiscent of the same series and the digital record of days into the investigation (Day 1 after the murder, Day 15, Day 148). None of it was surprising, given that Birger Larsen, Nordic noir director extraordinaire (The Killing and the Swedish Wallanders), had directed it. The result was a slow-burn success, once we realised...
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